The German Matthias Gerung (1500-1570) began working for Count Ottheinrich in 1531. Ten years later, when he became a Protestant his works focused on the condemnation of the Catholic Church clergy’s abuses led by the Antichrist (Ottheinrich-Bible in München-Bayerische Staatsbibliothek ms Cgm 8010, 1530-1532).
O Alemão Matthias Gerung (1500-1570) começou a trabalhar para o Conde Ottheinrich em 1531. Quando este, dez anos depois, se tornou Protestante as suas obras incidiram sobre a condenação dos abusos do Clero da Igreja Católica comandada pelo Anticristo.
Matthias Gerung (1500-1570)-'Hell abyss'-hand colored woodcut-ca 1536
Matthias Gerung (1500-1570)-'Vrelant encampment'-hand colored woodcut
Matthias Gerung (1500-1570)-'melancholy'-hand colored woodcut-1558
Matthias Gerung (1500-1570)-'destruction of Catholic Church'-hand colored woodcut
Matthias Gerung (1500-1570)-'the giving of the seven bowl of wrath (Revelation 16: 17-21) (298r-299)'-hand colored woodcuts
Viático de Vagamundo
19.6.13
18.6.13
Mythology by Eustache Le Sueur
The Parisian artist Eustache Le Sueur (1616-1655) was part of the founding group of the French Academy of Painting.
O Parisiense Eustache Le Sueur (1616-1655) integrou o grupo fundador da Academia Francesa de Pintura.
Eustache Le Sueur (1616-1655)-'marine gods paying homage to love'-oil on canvas-ca 1636 Malibu-J. Paul Getty Museum
Eustache Le Sueur (1616-1655)-'the birth of Cupid'-oil on panel Paris-Musée du Louvre
Eustache Le Sueur (1616-1655)-'Diana discovering the pregnancy of Callisto'-oil on canvas-
Eustache Le Sueur (1616-1655)-'Melpomene, Erato and Polyhymnia'-oil on canvas-ca 1655 Paris-Musée du Louvre
Eustache Le Sueur (1616-1655)-'abduction of Ganymede'-oil on canvas-ca 1650 Paris-Musée du Louvre
O Parisiense Eustache Le Sueur (1616-1655) integrou o grupo fundador da Academia Francesa de Pintura.
Eustache Le Sueur (1616-1655)-'marine gods paying homage to love'-oil on canvas-ca 1636 Malibu-J. Paul Getty Museum
Eustache Le Sueur (1616-1655)-'the birth of Cupid'-oil on panel Paris-Musée du Louvre
Eustache Le Sueur (1616-1655)-'Diana discovering the pregnancy of Callisto'-oil on canvas-
Eustache Le Sueur (1616-1655)-'Melpomene, Erato and Polyhymnia'-oil on canvas-ca 1655 Paris-Musée du Louvre
Eustache Le Sueur (1616-1655)-'abduction of Ganymede'-oil on canvas-ca 1650 Paris-Musée du Louvre
17.6.13
Hungarian battles in Magyar Nemzeti Galéria (Buda castle)
Like many other European countries, in the 2nd millennium of our era, Hungary suffered several invasions and many decisive battles to get its independence.
A Hungria, como tantos outros países Europeus, sofreu no II milénio da nossa era diversas invasões e muitas batalhas decisivas para a sua independência.
Károly Kisfaludy (1788-1830)-Prince Ladislaus (I, the Saint) at the battle near Cserhalom (1070)'-oil on canvas-(1826-1830)
Joszef Molnar (1821-1899)-'Charles Robert d'Anjou fleeing from the battle of Posada (1330)'-oil on canvas-1855
Joszef Borsos (1812-1885)-'battle of Mohács in 1526'-oil on canvas-1837
Soma Orial Petrich (1822-1880)-'Ms. Perényi gathering the dead after the battle of Mohács'-oil on canvas-ca 1860
Johann Peter Krafft (1780-1856)-'Zrinyl's charge from the fortress of Szigetvar'-oil on canvas-1825
Pál Vágó (1853-1928)-'the Hungarians at Kiev'-oil on canvas-1885
A Hungria, como tantos outros países Europeus, sofreu no II milénio da nossa era diversas invasões e muitas batalhas decisivas para a sua independência.
Károly Kisfaludy (1788-1830)-Prince Ladislaus (I, the Saint) at the battle near Cserhalom (1070)'-oil on canvas-(1826-1830)
Joszef Molnar (1821-1899)-'Charles Robert d'Anjou fleeing from the battle of Posada (1330)'-oil on canvas-1855
Joszef Borsos (1812-1885)-'battle of Mohács in 1526'-oil on canvas-1837
Soma Orial Petrich (1822-1880)-'Ms. Perényi gathering the dead after the battle of Mohács'-oil on canvas-ca 1860
Johann Peter Krafft (1780-1856)-'Zrinyl's charge from the fortress of Szigetvar'-oil on canvas-1825
Pál Vágó (1853-1928)-'the Hungarians at Kiev'-oil on canvas-1885
16.6.13
European beggars
Despite the establishment of the European social state, the existence of beggars was always a constant social issue. Numerous artists have painted this scourge of various types of society.
Apesar do estabelecimento do Estado social europeu, o problema dos pedintes manteve-se sempre atual. Numerosos artistas pintaram esta chaga dos vários tipos de sociedade.
Ivan Alekseyevich Yermenyov (1746-1792)-'the singing beggars'-watercolor St Petersburg-Russian Museum
Ferdinand Georg Waldmüller (1793-1865)-'the charity'-ca 1865
Johann Georg Meyer (1813-1886)-'begging children'-oil on canvas-1880
Antoine Béranger (1785-1867)-'blind beggar and a young boy at the house of a lady'-oil on canvas-1819
Michel Martin Droling (1789-1851)-'alms to the poor'-oil on canvas Private collection
William-Adolphe Bouguereau (1825-1905)-'little beggars'-1880
Apesar do estabelecimento do Estado social europeu, o problema dos pedintes manteve-se sempre atual. Numerosos artistas pintaram esta chaga dos vários tipos de sociedade.
Ivan Alekseyevich Yermenyov (1746-1792)-'the singing beggars'-watercolor St Petersburg-Russian Museum
Ferdinand Georg Waldmüller (1793-1865)-'the charity'-ca 1865
Johann Georg Meyer (1813-1886)-'begging children'-oil on canvas-1880
Antoine Béranger (1785-1867)-'blind beggar and a young boy at the house of a lady'-oil on canvas-1819
Michel Martin Droling (1789-1851)-'alms to the poor'-oil on canvas Private collection
William-Adolphe Bouguereau (1825-1905)-'little beggars'-1880
15.6.13
Mothers (19th century) by Jacob Simon Hendrik Kever
The Dutch artist Jacob Simon Hendrik Kever (1854-1922) painted many motifs dedicated to the family and especially to mothers.
O Holandês Jacob Simon Hendrik Kever (1854-1922) pintou numerosos temas dedicados à família e particularmente às mães.
Jacob Simon Hendrik Kever (1854-1922)-'motherly love-oil on canvas ' Private collection
Jacob Simon Hendrik Kever (1854-1922)-'a careful sip' -oil on canvas Private collection
Jacob Simon Hendrik Kever (1854-1922)-'on mather a's lap'-oil on canvas Private collection
Jacob Simon Hendrik Kever (1854-1922)-'dressing the baby'-oil on canvas Private collection
Jacob Simon Hendrik Kever (1854-1922)-'minding the baby'-oil on canvas Private collection
Jacob Simon Hendrik Kever (1854-1922)-'a moment of leisure'-oil on canvas Private collection
O Holandês Jacob Simon Hendrik Kever (1854-1922) pintou numerosos temas dedicados à família e particularmente às mães.
Jacob Simon Hendrik Kever (1854-1922)-'motherly love-oil on canvas ' Private collection
Jacob Simon Hendrik Kever (1854-1922)-'a careful sip' -oil on canvas Private collection
Jacob Simon Hendrik Kever (1854-1922)-'on mather a's lap'-oil on canvas Private collection
Jacob Simon Hendrik Kever (1854-1922)-'dressing the baby'-oil on canvas Private collection
Jacob Simon Hendrik Kever (1854-1922)-'minding the baby'-oil on canvas Private collection
Jacob Simon Hendrik Kever (1854-1922)-'a moment of leisure'-oil on canvas Private collection
14.6.13
Great Dagon Pagoda by Lieutenant Joseph Moore
Parked in Burma (now Myanmar) Lieutenant Joseph Moore of Her Majesty’s 89th Regiment (active 1824), painted several local motifs.
Estacionado em Burma (atualmente Myanmar) o tenente Joseph Moore (ativo 1824) do Regimento 89.º [“Her Majesty 89th Regiment”], pintou diversos motivos locais.
Lieutenant Joseph Moore (active 1824)-'scene from the upper terrace of the Great Dagon Pagoda at Rangoon to the South east'- handcoloured aquatint engraved by George Hunt-1826
Lieutenant Joseph Moore (active 1824)-'scene upon the terrace of the Great Dagon Pagoda at Rangoon taken near the Great Hill'- handcoloured aquatint engraved by George Hunt-1826
Lieutenant Joseph Moore (active 1824)-'scene upon the terrace of the Great Dagon Pagoda at Rangoon looking toward the north'- handcoloured aquatint engraved by George Hunt-1826
Lieutenant Joseph Moore (active 1824)-'the principal approach to the Great Dagon Pagoda at Rangoon'-handcoloured aquatint engraved by George Hunt-1826
Lieutenant Joseph Moore (active 1824)-'view of the Great Dagon Pagoda an adjacent scenery taken on the eastern road from Rangoon'- handcoloured aquatint engraved by George Hunt-1826
Lieutenant Joseph Moore (active 1824)-'view of the Great Dagon Pagoda at Rangoon from the west'- handcoloured aquatint engraved by George Hunt-1826
Estacionado em Burma (atualmente Myanmar) o tenente Joseph Moore (ativo 1824) do Regimento 89.º [“Her Majesty 89th Regiment”], pintou diversos motivos locais.
Lieutenant Joseph Moore (active 1824)-'scene from the upper terrace of the Great Dagon Pagoda at Rangoon to the South east'- handcoloured aquatint engraved by George Hunt-1826
Lieutenant Joseph Moore (active 1824)-'scene upon the terrace of the Great Dagon Pagoda at Rangoon taken near the Great Hill'- handcoloured aquatint engraved by George Hunt-1826
Lieutenant Joseph Moore (active 1824)-'scene upon the terrace of the Great Dagon Pagoda at Rangoon looking toward the north'- handcoloured aquatint engraved by George Hunt-1826
Lieutenant Joseph Moore (active 1824)-'the principal approach to the Great Dagon Pagoda at Rangoon'-handcoloured aquatint engraved by George Hunt-1826
Lieutenant Joseph Moore (active 1824)-'view of the Great Dagon Pagoda an adjacent scenery taken on the eastern road from Rangoon'- handcoloured aquatint engraved by George Hunt-1826
Lieutenant Joseph Moore (active 1824)-'view of the Great Dagon Pagoda at Rangoon from the west'- handcoloured aquatint engraved by George Hunt-1826
13.6.13
Sacred and Profane by Giovanni Migliara
Giovanni Migliara (1786-1837), an Italian noble artist, painted the sacred and profane motifs that were worth of his attention.
Italiano da Nobreza pintou Giovanni Migliara (1786-1837) os temas sagrados e profanos que mereceram a sua atenção.
Giovanni Migliara (1786-1837)-'interior of the monastery of Altacomba'-oil on canvas-1833 Milano-Galleria di Piazza Scala (Fondazione Cariplo)
Giovanni Migliara (1786-1837)-'view of the cloister of Santo Antonio in Padua'-oil on canvas Milano-Galleria di Piazza Scala (Fondazione Cariplo)
Giovanni Migliara (1786-1837)-'Inside the church the Eucharist'-oil on canvas-1822 Milano-Galleria di Piazza Scala (Fondazione Cariplo)
Giovanni Migliara (1786-1837)-'view of the surroundings of Leco'-oil on canvas-(1815-1820) Milano-Galleria di Piazza Scala (Fondazione Cariplo)
Giovanni Migliara (1786-1837)-'view of Doge's Palace in Venice'-oil on canvas-1815 Milano-Galleria di Piazza Scala (Fondazione Cariplo)
Italiano da Nobreza pintou Giovanni Migliara (1786-1837) os temas sagrados e profanos que mereceram a sua atenção.
Giovanni Migliara (1786-1837)-'interior of the monastery of Altacomba'-oil on canvas-1833 Milano-Galleria di Piazza Scala (Fondazione Cariplo)
Giovanni Migliara (1786-1837)-'view of the cloister of Santo Antonio in Padua'-oil on canvas Milano-Galleria di Piazza Scala (Fondazione Cariplo)
Giovanni Migliara (1786-1837)-'Inside the church the Eucharist'-oil on canvas-1822 Milano-Galleria di Piazza Scala (Fondazione Cariplo)
Giovanni Migliara (1786-1837)-'view of the surroundings of Leco'-oil on canvas-(1815-1820) Milano-Galleria di Piazza Scala (Fondazione Cariplo)
Giovanni Migliara (1786-1837)-'view of Doge's Palace in Venice'-oil on canvas-1815 Milano-Galleria di Piazza Scala (Fondazione Cariplo)
12.6.13
Nature by Carl Spitzberg
The romantic poet and painter Carl Spitzberg (1808-1885) was interested in the representation of human beings in contact with nature.
O poeta romântico e pintor Carl Spitzberg (1808-1885) interessou-se pela representação de seres humanos no seu contacto com a natureza.
Carl Spitzberg (1808-1885)-'hunter, a girl looking after'-oil on canvas-ca 1875 Private collection
Carl Spitzberg (1808-1885)-'women bath in Dieppe III'-oil on canvas-ca 1857 St Gallen-Art Museum
Carl Spitzberg (1808-1885)-'girl with goat'-oil on paper mounted on paperboard-1851 Schweinfurth-Georg Schäfer Museum
Carl Spitzberg (1808-1885)-'rest on the vineyard'-oil on canvas-ca 1845 Private collection
Carl Spitzberg (1808-1885)-'Tyrolean toll house'-oil on canvas-(1855-1860) Schweinfurth-Georg Schäfer Museum
O poeta romântico e pintor Carl Spitzberg (1808-1885) interessou-se pela representação de seres humanos no seu contacto com a natureza.
Carl Spitzberg (1808-1885)-'hunter, a girl looking after'-oil on canvas-ca 1875 Private collection
Carl Spitzberg (1808-1885)-'women bath in Dieppe III'-oil on canvas-ca 1857 St Gallen-Art Museum
Carl Spitzberg (1808-1885)-'girl with goat'-oil on paper mounted on paperboard-1851 Schweinfurth-Georg Schäfer Museum
Carl Spitzberg (1808-1885)-'rest on the vineyard'-oil on canvas-ca 1845 Private collection
Carl Spitzberg (1808-1885)-'Tyrolean toll house'-oil on canvas-(1855-1860) Schweinfurth-Georg Schäfer Museum
11.6.13
Deutsches Historisches Museum (Berlin)
The Deutsches Historisches Museum, based in Berlin, has several paintings that do not relate to the history of Germany.
O Deutsches Historisches Museum, sediado em Berlim, possui diversas pinturas que não se prendem com a história Alemã.
Frans Francken (II) (1581-1642)-'the seven works of Mercy'-oil on canvas
Peter Jakob Horemans (1700-1776)-'peasants pay the maner Lord their rent in kind'-oil on canvas-1767
Heinrich Lucas Arnold (1815- )-'the reading cabinet'-oil on canvas
Friedrich Friedländer (1825-1901)-'the pawshop'-oil on canvas-1866
Carl Stilling (1874-1938)-«the forge'-oil on canvas-1909
Eduard Krause-Wichmann (1864-1928)-'founding'-oil on canvas-1900
O Deutsches Historisches Museum, sediado em Berlim, possui diversas pinturas que não se prendem com a história Alemã.
Frans Francken (II) (1581-1642)-'the seven works of Mercy'-oil on canvas
Peter Jakob Horemans (1700-1776)-'peasants pay the maner Lord their rent in kind'-oil on canvas-1767
Heinrich Lucas Arnold (1815- )-'the reading cabinet'-oil on canvas
Friedrich Friedländer (1825-1901)-'the pawshop'-oil on canvas-1866
Carl Stilling (1874-1938)-«the forge'-oil on canvas-1909
Eduard Krause-Wichmann (1864-1928)-'founding'-oil on canvas-1900
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