Goats in paintings

The goat, a predatory animal of herbaceous plants and trees, provides milk for food and for cheese, as well as meat and skins to the inhabitants of mountainous regions.

A cabra, animal predador de plantas herbáceas e árvores, fornece leite para alimento e queijos, assim como carne e peles aos habitantes das regiões montanhosas.

Anton Heinrich Dieffenbach (1831-1914)-‘girl with a goat’

Edgar Hunt (1876-1955)-‘my friends in the farm’

Jacques Alfred van Muyden (1818-1898)-‘a mother and her children return from the fields’

Edouard-Henri-Théophile Pingret (1788-1875)-‘girl knitting with goat’

Camille-Joseph-Étienne Roqueplan (1803-1855)-‘the shepherd girl’


USA. Native women by Carl Everton Moon

The American artist Carl Everton Moon (1879-1948) painted native women performing their family duties.

O norte-americano Carl Everton Moon (1879-1948) pintou mulheres nativas a executar as suas tarefas familiares.

Carl Everton Moon (1879-1948)-‘woman making bread’

Carl Everton Moon (1879-1948)-‘early morning Santa Clara Indians family with a donkey’

Carl Everton Moon (1879-1948)-‘the first born’

Carl Everton Moon (1879-1948)-‘Hopi mother and child’-oil on canvas-ca 1940     Washington-Smithsonian American Art Museum

Carl Everton Moon (1879-1948)-‘Pueblo maid’


View of Austria by Ludwig Halauska

The Austrian artist Ludwig Halauska (1824-1882) painted landscapes of his native country.

O austríaco Ludwig Halauska (1824-1882) pintou paisagens do seu país natal.

Ludwig Halauska (1824-1882)-‘the Plan lake in Tyrol, according backside label’-oil on canvas-1856    Private collection

Ludwig Halauska (1824-1882)-‘farmhouse on the Steinbrück’-canvas mounted on cardboard-1875      Private collection  

Ludwig Halauska (1824-1882)-‘idyllic mountain’-oil on canvas-1855  Private collection

Ludwig Halauska (1824-1882)-‘sheep mountain and Kienbergwand at the Mond lake’ Private collection

Ludwig Halauska (1824-1882)-‘on land, overlooking a farm’-oil on canvas-1856  Private collection


Watercolorist Anna Maria Gardell-Ericson

The Swedish artist Anna Maria Gardell-Ericson (1853-1939), daughter of the landscaper Johan Gardel, studied art in Stockholm and Paris. She married the painter Johan Ericson.

A sueca Anna Maria Gardell-Ericson (1853-1939), filha do paisagista Johan Gardel, estudou arte em Estocolmo e Paris. Casou com o pintor Johan Ericson.

Anna Maria Gardell-Ericson (1853-1939)-‘sunrise over a river’-watercolor on the paper

Anna Maria Gardell-Ericson (1853-1939)-‘Marstrand’-watercolor on the paper

Anna Maria Gardell-Ericson (1853-1939)-‘houses at Marstrand, in moonlight’-watercolor on the paper

Anna Maria Gardell-Ericson (1853-1939)-‘dusk over the water, Lysekil’-watercolor on the paper

Anna Maria Gardell-Ericson (1853-1939)-‘on the park’-watercolor on the paper


Streams by Marcus Larson

The Swedish artist Marcus Larson (1825-1864) painted streams in mountainous areas more or less rugged.

O sueco Marcus Larson (1825-1864) pintou riachos em zonas montanhosas mais ou menos acidentadas.

Marcus Larson (1825-1864)-‘waterfall in Smaland’-oil on canvas-1856

Marcus Larson (1825-1864)-‘dramatic waterfall landscape with figures and building remain’-oil on canvas-1854

Marcus Larson (1825-1864)-‘fjord landscape in Norway’-1860

Marcus Larson (1825-1864)-‘Fors landscape with Atvids old church in the fund’

Marcus Larson (1825-1864)-‘mountains and waterfall’-1851


Hay and cars by Désiré Thomassin-Renardt

The Austrian artist Désiré Thomassin-Renardt (1858-1933) painted some landscapes with farmers transporting hay for stable cattle.

O austríaco Désiré Thomassin-Renardt (1858-1933) pintou algumas paisagens com camponeses a transportar feno para gado estabulado.

Désiré Thomassin-Renardt (1858-1933)-‘hay on a summer day’-oil on canvas-ca 1933    Private collection

Désiré Thomassin-Renardt (1858-1933)-‘in the hay’-oil on canvas-ca 1933    Private collection

Désiré Thomassin-Renardt (1858-1933)-‘landscape with figures, horses and goose’-oil on cardboard

Désiré Thomassin-Renardt (1858-1933)-‘’the harvesters’-oil on board

Désiré Thomassin-Renardt (1858-1933)-‘hay harvest’


Vienna (Wien) by Richard Moser

The architecture of the capital of the Habsburg Empire was a dominant factor in the work of the Austrian painter Richard Moser (1874-1924)

A arquitetura da capital do Império Habsburgo dominou os trabalhos do pintor austríaco Richard Moser (1874-1924)

Richard Moser (1874-1924)-‘Wien. Elisabethbrücke, Karlskirche und Technische Universität (Vienna. Elisabeth Bridge, Charles Church, and University of Technology)’-watercolor on paper

Richard Moser (1874-1924)-‘Wien I, am Hof (Vienna I, on the square)’-watercolor on paper-ca 1924    Private collection

Richard Moser (1874-1924)-‘der Stephansplatz um 1860 (the Stephans place around 1860’-watercolor on paper-ca 1924    Private collection

Richard Moser (1874-1924)-‘Wien I, am Hof, das K. u. K. Kriegsministerium (Vienna I, on the square, the K. u. K. War Ministry) -watercolor on paper-1913    Private collection

Richard Moser (1874-1924)-‘die Pilgramkanzel in St Stephan (the Pilgram pulpit in St Stephan)’-pastel on paper-ca 1916  Private collection


Workers by Nikolai Alexejewitsch Kassatkin

The motifs chosen by the Russian artist Nikolai Alexejewitsch Kassatkin (1859-1930) focus mainly on the problems of the working class.

Os temas escolhidos pelo russo Nikolai Alexejewitsch Kassatkin (1859-1930) centram-se principalmente nos problemas da classe operária.

Nikolai Alexejewitsch Kassatkin (1859-1930)-‘zborov vuglia’-1894

Nikolai Alexejewitsch Kassatkin (1859-1930)-‘in the corridor of the District court’-oil on canvas-1897

Nikolai Alexejewitsch Kassatkin (1859-1930)-‘in the chapel’

Nikolai Alexejewitsch Kassatkin (1859-1930)-‘family worker what await him’

Nikolai Alexejewitsch Kassatkin (1859-1930)-‘in the working-class family’-oil on canvas-(1890-1900)    St Petersburgh-Russian Museum


Milan by Angelo Inganni

The Italian artist Angelo Inganni (1807-1880) painted his personal list of some of the most important places in Milan.

O italiano Angelo Inganni (1807-1880) pintou os locais de Milão que considerou mais importantes.

Angelo Inganni (1807-1880)-‘night of the Cathedral square’-oil on canvas

Angelo Inganni (1807-1880)-‘front of the Scala Theatre’-oil on canvas

Angelo Inganni (1807-1880)-‘square of the merchants’-oil on canvas

Angelo Inganni (1807-1880)-‘view of the canal and de Church of San Marco’-oil on canvas

Angelo Inganni (1807-1880)-‘square of the Scala’-oil on canvas


Affection by Walter Langley

The British artist Walter Langley (1852-1922), member of the School of Newly, painted  various motifs on affection between human beings.

O britânico Walter Langley (1852-1922), elemento da Escola de Newly, pintou diversos motivos sobre a afeição entre seres humanos.

Walter Langley (1852-1922)-‘motherless’

Walter Langley (1852-1922)-‘the orphan’-1884

Walter Langley (1852-1922)-‘the new arrival’

Walter Langley (1852-1922)-‘motherhood’

Walter Langley (1852-1922)-‘Newly scene’